A prison as a stage, visualizes a female tragedy of being gazed at, two-timed, exploited and ruined like a moth on fire. It parodies media, law and human morality in a most unbelievable way, yet women's destiny remains chillingly reflexive even in reveries.
作品本身没有把力气花在要向观众传达什么上面(namely make it easy for the audience to digest and feel the emotions)诱惑图这种类型的indie film很像那种现代艺术博物馆的展品仅展示用能不能与其产生连接全靠观众自身经历或是愿不愿意主动look deeper去站在创作者的角度感受而对于只是想看一看的人很容易留下不痛不痒的印象